By Robert Godel
The writer is especially drawn to comparative and ancient examine on Armenian as an Indo-European language. This "Introduction" contains elements. the 1st one describes the phonological and morphological method of Classical Armenian with the aim of atmosphere off its attribute good points, no longer of living on such information as are available in any stable grammar publication. the second one half is comparative and historic. in addition to the easiest ascertained proof, it comprises disscussions on arguable matters, in addition to a few new insights in histroical morphology.
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The writer is very attracted to comparative and historic examine on Armenian as an Indo-European language. This "Introduction" comprises elements. the 1st one describes the phonological and morphological process of Classical Armenian with the aim of surroundings off its attribute beneficial properties, no longer of residing on such info as are available in any reliable grammar ebook.
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Thus they have continued to hoe until the present day. Their poverty is a result of their assiduity, and the wealth of the others a result of their laziness. All in all, wealth and highly developed technology are the result of man’s laziness. What do argument 2 and the story about Charlie have in common? Three things: paradoxical structure, latent cynicism, and the strength of the argumentation. Useful and positively valued social phenomena are explained as consequences of objectionable motives held by the members of the community.
What do argument 2 and the story about Charlie have in common? Three things: paradoxical structure, latent cynicism, and the strength of the argumentation. Useful and positively valued social phenomena are explained as consequences of objectionable motives held by the members of the community. This is the paradox underlying this figure of thought. It turns into cynicism if we use it (incorrectly) in a prognostic way, and if we derive moral maxims from it. ) The strength of the argument lies in the poverty of the premisses.
Dichotomies determine our thinking: God and the devil, heaven and hell, good and bad, langue and parole, nature and art, emotion and intellect, and many more. The dichotomies ‘nature versus art’ and ‘instinct versus reason’ have proved to be particular hindrances to the understanding of culture and language. The assumption that the world can be divided neatly into two completely separate categories, things which exist by nature on the one hand and things which are artificial, man-made, on the other, is as old as Occidental thought itself.
An Introduction to the Study of Classical Armenian by Robert Godel