Download e-book for iPad: African Art: The World Bank Collections by Alexandre Marc

By Alexandre Marc

ISBN-10: 0585180547

ISBN-13: 9780585180540

ISBN-10: 0821341952

ISBN-13: 9780821341957

African creative expression has helped to build tradition, shape social identification, and aid non secular verbal exchange. the alternative of the realm Bank's African assortment for a listing stems from the popularity via many paintings specialists that the financial institution is domestic to a wealthy and necessary assortment that merits to be higher identified by way of employees, representatives from member international locations, and the general public at huge. The ebook screens African artwork from prior to provide, African artwork on the international financial institution, and African artwork and society.

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Therefore they remained, even after the end of colonialism, oblivious or even hostile to their past, thus helping to perpetuate the colonial attitude. Happily, however, somewhere along the line, other Africans began to query the contradiction provided by the fact that these primitive and idolatrous objects are highly sought after in the Western world. One result of the query was the resurgence of interest in the African past for the purpose of reconstructing the African identity. But this task is enormous and requires a concerted effort through archaeological and ethnographic activities and the integration of culture into the educational system.

In these societies, the issue of historic ruptures in the evolution of their cultural identities is the leitmotif that returns again and again to the fore of almost all artistic expression. It is the loom on which many artists weave the texture of their contributions to the evolving cultural identity. The Meaning of African Art In Africa this history of cultural rupture is more accentuated. Nowhere has the history of colonialism been fiercer and nowhere has there been such a massive dislocation as has been experienced by that continent through the centuries of domination and the slave trade.

All these men encouraged their students to carry out fieldwork by direct observation and participation in the activities of the people whom they studied, a method that has proved invaluable and is yet to be replaced. What we know and do today in African art studies follow the basic tenets that those early scholars preached and practiced. Although Western scholarship on African art has grown immensely in the postWorld War II era, the description primitive that is applied to nonWestern art has stuck in the minds of some people, irrespective of its objectionable connotation.

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African Art: The World Bank Collections by Alexandre Marc

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